B. Ingrid Olson
"this begins from inside, a figure within a space, to define beginnings and ends"
knee bent, with object on top defining its angled shape >< or... just a fraction of the frame
"The manner of compression"
on stool, two mirrors on either side, with drawing over mirror to obstruct reflection or photograph
a photograph on top of can
"Talking, I think, we are equally close as I am far from you"
photos through fabric, or vaseline on glass... of self as a man
"Portrait of a man"
text above a contact sheet
re-orient and crop photo
"The future is the past as the present"
coming to the center, of an x of a single line
"Surface, yes, a frame only."
Sketch with photos
text, illegible in reverse
holding mirror to right, above head, facing outward
full body, zoom out, very small, among a pile of dust ||| ;;;
"Aside, a Memory of Sunday"
sad drawing, white center
a glove by a window
"Also, looking at"
"looking at a book"
serious look, peak out, hanging, covering face like hair and also a shadow
"The future is past"
sideways and frontal, a grid
"A potentiality: The arms and head are wanting, the body is cut just below the waist"
dark surroundings, a white fountain stream, darkened black and white, figure navel gazing,
with lines or legs intersecting
"Like the fountain containing itself, a lie"
four figures, a painting of interest
an illustrated text
side angle contents
ft. walking, a clock
"two feet, shod with leather, attached to a plinth. The feet belonged to a figure striding.
The left foot was advanced, and bore the weight of the body. "
left and right, simple
"except she has nothing to say"
building at night
"from outside, from below"
four eyes, close up, painted over (draft)
fantasy drawing, elements of us, fragments sketched, as notes, quickly or with left hand
"You or I"
light drawing; a foot is stacked and walking away on a dark background, or photographed using bright light in the dark
traced outline, cut out face and glove, drawing
"One way of looking"
"This figure is moving rapidly to our left, the right knee bent. The left arm was probably extended; the right was bent nearly at a right angle. Both hands probably held parts of the surrounding structure, of which a remnant floats behind, bellied out by the resistance of the air to the rapid movement of the figure"
charcoal, crayon, a crest
"between two things, is contained more than within either the start or the finish, as it holds pieces of both"
an imperceptible sketch--- only useful as a draft
"a missive, abr."
A drawing by someone else, but maybe me
"self-love, sex, vanity, sex"
The nail and the string outside the central figure, which have always intrigued me
"a subtle hint"
a triangle, of hills
“Pain and Mystery, L.B.”
of a, by, a sculpture
"Embrace from above becomes white phallus and dark shit"
pile and legs spread, turn black and white / photocopy
"painting, symmetry, alchemy"
legs with clay legs, re-constructed figure, head at top
"The bachelor turns inward"
photograph of hands on hands, advertisement, glare
straight portrait, different but similar to others
a man looking into the distance
"Inevitably, afterwards, we know it's about a woman, and the particulars become more clear."