fig. 1-44
 

Issue 22

fig. 1-44

B. Ingrid Olson

 





1
figure, space
"this begins from inside, a figure within a space, to define beginnings and ends"

2
knee bent, with object on top defining its angled shape >< or... just a fraction of the frame
"The manner of compression"

3
on stool, two mirrors on either side, with drawing over mirror to obstruct reflection or photograph
a photograph on top of can
"Talking, I think, we are equally close as I am far from you"

4
photos through fabric, or vaseline on glass... of self as a man
"Portrait of a man"


5
text above a contact sheet
"Found signage"

6
re-orient and crop photo
"The future is the past as the present"

7
double image
"re-"

8
coming to the center, of an x of a single line
"Surface, yes, a frame only."

9
masculine feminine
"Important Name"


10
Sketch with photos
"Draft"

11
text, illegible in reverse
"Draft"



12
photo
"1920's paris"

13
holding mirror to right, above head, facing outward
"someone idk”

14
full body, zoom out, very small, among a pile of dust ||| ;;;
"Aside, a Memory of Sunday"

15
sad drawing, white center
"Pervert modernism"

16
a glove by a window
"Also, looking at"

17
remainders
“From errata”


18
signage
"looking at a book"

19
serious look, peak out, hanging, covering face like hair and also a shadow
"The future is past"

20
sideways and frontal, a grid
"A potentiality: The arms and head are wanting, the body is cut just below the waist"

21
dark surroundings, a white fountain stream, darkened black and white, figure navel gazing,
with lines or legs intersecting
"Like the fountain containing itself, a lie"


22
Int. Fragment
"Pre-"

23
four figures, a painting of interest
"Title"

24
an illustrated text
"Current Present"

25
side angle contents
"Hinge, reflection"

26
ft. walking, a clock
"two feet, shod with leather, attached to a plinth. The feet belonged to a figure striding.
The left foot was advanced, and bore the weight of the body. "


27
left and right, simple
"except she has nothing to say"


28
building at night
"from outside, from below"

29
four eyes, close up, painted over (draft)
"Other troubles”


30
fantasy drawing, elements of us, fragments sketched, as notes, quickly or with left hand
"You or I"


31
light drawing; a foot is stacked and walking away on a dark background, or photographed using bright light in the dark
"heel concept"

32
traced outline, cut out face and glove, drawing
"One way of looking"

33
old sketch
"This figure is moving rapidly to our left, the right knee bent. The left arm was probably extended; the right was bent nearly at a right angle. Both hands probably held parts of the surrounding structure, of which a remnant floats behind, bellied out by the resistance of the air to the rapid movement of the figure"

34
charcoal, crayon, a crest
"between two things, is contained more than within either the start or the finish, as it holds pieces of both"

35
an imperceptible sketch--- only useful as a draft
"a missive, abr."

36
A drawing by someone else, but maybe me
"self-love, sex, vanity, sex"

37
The nail and the string outside the central figure, which have always intrigued me
"a subtle hint"

38
a triangle, of hills
“Pain and Mystery, L.B.”

39
of a, by, a sculpture
"Embrace from above becomes white phallus and dark shit"

40
pile and legs spread, turn black and white / photocopy
"painting, symmetry, alchemy"

41
legs with clay legs, re-constructed figure, head at top
"The bachelor turns inward"

42
photograph of hands on hands, advertisement, glare
"Loop"

43
straight portrait, different but similar to others
"Lying"

44
a man looking into the distance
"Inevitably, afterwards, we know it's about a woman, and the particulars become more clear."

 

 

 

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